First They Killed My Father

A major film, co-written and directed by Angelina Jolie Until the age of five, Loung Ung lived in Phnom Penh, one of seven children of a high-ranking government official. She was a precocious child who loved the open city markets, fried crickets, chicken fights and being cheeky to her parents. When Pol Pot's Khmer Rouge army stormed into Phnom Penh in April 1975, Loung's family fled their home and were eventually forced to disperse to survive. Loung was trained as a child soldier while her brothers and sisters were sent to labour camps. The surviving siblings were only finally reunited after the Vietnamese penetrated Cambodia and started to destroy the Khmer Rouge. Bolstered by the bravery of one brother, the vision of the others and the gentle kindness of her sister, Loung forged on to create for herself a courageous new life. First They Killed My Father is an unforgettable book told through the voice of the young and fearless Loung. It is a shocking and tragic tale of a girl who was determined to survive despite the odds.

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First They Killed My Father Movie Tie in

Repackaged in a new tie-in edition to coincide with the Netflix film produced and directed by Angelina Jolie Pitt, a moving story of war crimes and desperate actions, the unnerving strength of a small girl and her triumphant spirit as she survived the Cambodian genocide under Pol Pot’s brutal regime. Soon to be a feature film on Netflix directed and produced by Angelina Jolie Pitt, an unforgettable narrative of war crimes and desperate actions, the unnerving strength of a small girl and her triumphant spirit as she survived the Cambodian genocide under Pol Pot’s brutal regime. Until the age of five, Loung Ung lived in Phnom Penh, one of seven children of a high-ranking government official. She was a precocious child who loved the open city markets, fried crickets, chicken fights, and sassing her parents. While her beautiful mother worried that Loung was a troublemaker—that she stomped around like a thirsty cow—her beloved father knew Loung was a clever girl. When Pol Pot’s Khmer Rouge army stormed into Phnom Penh in April 1975, Ung’s family fled their home and moved from village to village to hide their identity, their education, their former life of privilege. Eventually, the family dispersed in order to survive. Loung trained as a child soldier in a work camp for orphans, while other siblings were sent to labor camps. As the Vietnamese penetrated Cambodia, destroying the Khmer Rouge, Loung and her surviving siblings were slowly reunited. Bolstered by the shocking bravery of one brother, the courage and sacrifices of the rest of her family—and sustained by her sister’s gentle kindness amid brutality—Loung forged on to create for herself a courageous new life. Harrowing yet hopeful, insightful and compelling, this story is truly unforgettable.

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Exam Prep for First They Killed My Father A Daughter of

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First They Killed My Father a Daughter of Cambodia Remembers

A daughter of Cambodia remembers. Soon to be a Netflix original movie directed by Angelina Jolie. Until age five, Loung Ung lived in Phnom Penh, one of seven children of an educated, high-ranking government official. When the Khmer Rouge stormed the city in 1975, the young girl and her family fled from village to village. Fighting to hide their identity, the Ungs eventually were forced to separate to survive. Loung was trained as a child soldier in a work camp for orphans. As half her family died in labour camps by execution, starvation, and disease, Loung herself grew increasingly resilient and determined - armed with indomitable will, she miraculously managed to outlast the Khmer Rouge and survive the killing fields. FIRST THEY KILLED MY FATHER is her astonishing story, a memorable human drama of courage and survival against all odds.

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First They Killed My Father

Unmarked screenplay, undated. This film about the 1975 takeover of Cambodia by the Khmer Rouge regime was released by Netflix Sept. 15, 2017.

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Poetry to Make You Think Poetry Based on First They Killed My Father and Kaffir Boy

Haiku and Quatrain poetry written by eighth grade students from Saint Paul, Minnesota expressing their understanding of the books First They Killed My Father: A Daughter of Cambodia Remembers and Kaffir Boy: An Autobiography--The True Story of a Black Youth's Coming of Age in Apartheid South Africa. The poetry is filled with mature, empathetic responses the readers are sure to value.

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Maximizing the Policy Relevance of Research for School Improvement

Education policy and policy making is shaped through the activities of a complex network of educators, educational leaders, researchers, community members, as well as government and non-government officials and organizations. Educational researchers are a critical player in this complex network and their investigations of various educational phenomena can answer questions relevant to the design and implementation of education policy for school improvement. Educational research, however, often has limited influence in larger policy conversations and decisions (Orland, 2009), and this is due to many factors. Educational researchers can provide an evidence-based starting place for discussions about school improvement with the complex network of stakeholders engaged in policy development and implementation, but they must be more intentionally and systematically thoughtful about the connections of their work to policy and policy making. Furthermore, researchers can increase the relevance of their work for policy through the careful design and framing of research in collaboration with end-users, and an awareness of its implications. In so doing, researchers can spur the interest and dissemination of their findings to wider audiences. This book offers resources for education researchers, faculty, and advanced graduate students interested in maximizing the relevance of their research on policy for school improvement. In achieving this purpose, the book is organized into three sections: 1) A primer for education policy making in the United States; 2) Designing research to maximize education policy relevance; and 3) Engaging users of research to communicate its relevance to policymakers. This book is primarily for education researchers, faculty, and advanced graduate students seeking to improve the visibility and impact of their research on school improvement, particularly in the realm of educational policy and policy making. While this book is a volume in the book series for the American Educational Research Association Special Interest Group, Leadership for School Improvement, the importance and usefulness of the topics covered span education research more broadly. Further, the content of this book serves as a comprehensive guide for how education researchers, in general, can better situate their work to influence policy. The book is intended to be utilized by university scholars, graduate students in research or policy courses, post-doctoral fellows, as well as research associates or directors in various organizations relevant to education such as research consulting groups, non-profits which serve education causes, teacher unions, state agencies or state-level educator organizations/associations, and think tanks. Emerging or established researchers in any of these organizations who want to increase the relevance, significance and dissemination of their work into education policy will hopefully find this book useful.

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After They Killed Our Father

In 1980, at the age of ten, Loung Ung escaped a devastated Cambodia and flew to the US as a refugee. She and her eldest brother, with whom she escaped, left behind their three surviving siblings, and her book is alternately heart-wrenching and heart-warming, as it follows the parallel lives of Loung and her closest sister, Chou, during the 15 years it took for them to be reunited. Their two worlds were very different, and Loung's depiction of the contrast between her life in the affluent West and that of her sister, who navigated her way through landmine-strewn fields and survived raids by the Khmer Rouge, is laced with the guilt she feels about being the lucky one. This powerful story helps us to understand what happens when a family is torn apart by politics, adversity and war. It is also the compelling and inspirational tale of a remarkable woman.

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First They Killed My Father Standardized Reading Practice Test Package

JHU Talent Development's Standardized Reading Practice Tests provide periodic assessment of students' progress in reading comprehension and reading vocabulary resulting from implementation of Student Team Literature. In addition, they allow students to practice taking standardized tests within the context of the pieces of literature they are reading, without interrupting instruction or "teaching to" a particular test. Each package includes reproducible student test pages and teacher's answer pages in one handy bound volume, and also supplies teacher information including test administration tips, a breakdown of vocabulary and reading comprehension questions, and a handy fill-in chart for analysis of student skills mastery at a class-wide level.

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A Biographical Encyclopedia of Contemporary Genocide Portraits of Evil and Good

This book documents the devastating effects of genocide in the world's most destructive human environments since the end of World War II and explores why such events still occur.

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Who Killed My Father

Who Killed My Father is the story of a tough guy – the story of the little boy I never was. The story of my father. ‘What a beautiful book’ MAX PORTER In Who Killed My Father, Édouard Louis explores key moments in his father’s life, and the tenderness and disconnects in their relationship. Told with the fire of a writer determined on social justice, and with the compassion of a loving son, the book urgently and brilliantly engages with issues surrounding masculinity, class, homophobia, shame and social poverty. It unflinchingly takes aim at systems that disadvantage those they seek to exclude – those who have their expectations, hopes and passions crushed by a society which gives them little thought. ‘Édouard Louis is the vanguard of France’s new generation of political writers’ Evening Standard

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Persimmon

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To Asia with Love

Imagine that on the eve of your upcoming trip to Cambodia, Laos, Thailand, and Vietnam, you are invited to a party. At this party are fifty guests, all of whom live in or have traveled extensively through these countries. Among this eclectic and well-versed group of connoisseurs are authors of acclaimed guidebooks, popular newspaper columnists and pioneering adventurers. As the evening passes, they tell you tales from their lives in these exotic places. They whisper the names of their favorite shops and restaurants; they divulge the secret hideaways where they sneak off to for an afternoon (or a weekend) to unwind. Some make you laugh out loud, and others mesmerize you with their poetry and lyricism. Some are intent on educating, while others just want to entertain. Their attitudes are as unique as their personalities, but they are united in one thing ... their love of the region. If you can envision being welcomed at such a party, then you can envision the experience that this guidebook aspires to give you. Within these pages you will find tips for adventuring, eating, shopping, and sightseeing from savvy expatriates, seasoned travelers, and inspired locals. Unlike the typical guidebook, To Asia With Love does not offer a comprehensive overview, but instead presents selected recommendations in the form of personal essays and tidbits, each of which is paired with a practical fact file. Discover the benefits of carrying a baseball glove in Laos, go bird watching in the Thai everglades, take a motorbike into the Cardamom Mountains of Cambodia, and immerse yourself in modern art in Vietnam. In addition, one chapter focuses solely on opportunities for giving back to the countries you visit.

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Bold Words

A century of Asian American writing has generated a forceful cascade of "bold words." This anthology covers writings by Asian Americans in all genres, from the early twentieth century to the present. Some sixty authors of Chinese, Filipino, Japanese, Korean, South Asian, and Southeast Asian American origin are represented, with an equal split between male and female writers. The collection is divided into four sections-memoir, fiction, poetry, and drama-prefaced by an introductory essay from a well-known practitioner of that genre: Meena Alexander on memoir, Gary Pak on fiction, Eileen Tabios on poetry, and Roberta Uno on drama. The selections depict the complex realities and wide range of experiences of Asians in the United States. They illuminate the writers' creative responses to issues as diverse as resistance, aesthetics, biculturalism, sexuality, gender relations, racism, war, diaspora, and family. Rajini Srikanth teaches at the University of Massachusetts, Boston. She is the coeditor of the award-winning anthology Contours of the Heart: South Asians Map North America and the collection A Part, Yet Apart: South Asians in Asian America. Esther Y. Iwanaga teaches Asian American literature and literature-based writing courses at Wellesley College and the University of Massachusetts, Boston.

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Blood on the Stone

Africa’s diamond wars took four million lives. ‘Blood on the Stone’ tells the story of how diamonds came to be so dangerous, describing the great diamond cartel and a dangerous pipeline leading from war-torn Africa to the glittering showrooms of Paris, London and New York. It describes the campaign that forced an industry and more than 50 governments to create a global control mechanism, and it provides a sobering prognosis on its future.

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Stay Alive My Son

On April 17, 1975, the Khmer Rouge entered Phnom Penh to open a new and appalling chapter in the story of the twentieth century. On that day, Pin Yathay was a qualified engineer in the Ministry of Public Works. Successful and highly educated, he had been critical of the corrupt Lon Nol regime and hoped that the Khmer Rouge would be the patriotic saviors of Cambodia. In Stay Alive, My Son, Pin Yathay provides an unforgettable testament of the horror that ensued and a gripping account of personal courage, sacrifice and survival. Documenting the 27 months from the arrival of the Khmer Rouge in Phnom Penh to his escape into Thailand, Pin Yathay's story is a powerful and haunting memoir of Cambodia's killing fields. With seventeen members of his family, Pin Yathay were evacuated by the Khmer Rouge from Phnom Penh, taking with them whatever they might need for the three days before they would be allowed to return to their home. Instead, they were moved on from camp to camp, their possessions confiscated or abandoned. As days became weeks and weeks became months, they became the "New People," displaced urban dwellers compelled to live and work as peasants, their days were filled with forced manual labor and their survival dependent on ever more meager communal rations. The body count mounted, first as malnutrition bred rampant disease and then as the Khmer Rouge singled out the dissidents for sudden death in the darkness. Eventually, Pin Yathay's family was reduced to just himself, his wife, and their one remaining son, Nawath. Wracked with pain and disease, robbed of all they had owned, living on the very edge of dying, they faced a future of escalating horror. With Nawath too ill to travel, Pin Yathay and his wife, Any, had to make the heart-breaking decision whether to leave him to the care of a Cambodian hospital in order to make a desperate break for freedom. "Stay alive, my son," he tells Nawath before embarking on a nightmarish escape to the Thai border. First published in 1987, the Cornell edition of Stay Alive, My Son includes an updated preface and epilogue by Pin Yathay and a new foreword by David Chandler, a world-renowned historian of Cambodia, who attests to the continuing value and urgency of Pin Yathay's message.

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In the Shadow of Angkor

Nearly two million people died in Cambodia between 1975 and 1979 as a result of the Khmer Rouge's genocidal regime. Cambodians who were educated, teachers, artists, and authors were among the first to be killed. One generation later, literature is re-emerging from the ashes. 22 photographs

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In Pursuit of a Dream

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Embodying Asian American Sexualities

This book is conceived as a reader for use in American studies, Asian American studies, ethnic studies, gender studies, lesbian/gay/bisexual/transgender studies, performance studies, and queer studies. It also contains new scholarship on Asian/American sexualities that would be useful for faculty and students. In particular, this volume highlights materials that receive little academic attention such as works on Southeast Asian migrants, mixed race cultural production, and Asian/American pornography. As an interdisciplinary anthology, this collection weaves together various forms of 'knowledge'_autobiographical accounts, humanistic research, community-based work, and artistic expression. Responsive to the imbrication of knowledge and power, the authors aspire to present a diverse sample of discourses that construct Asian/American bodies. They maintain that the body serves as the primary interface between the individual and the social, yet, as Elizabeth Grosz noted over a decade ago, feminist theory, and gender and sexuality studies more generally, 'has tended, with some notable exceptions, to remain uninterested in or unconvinced about the relevance of refocusing on bodies in accounts of subjectivity.' This volume attempts to address this concern.

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Remembering Mass Violence

Remembering Mass Violence breaks new ground in oral history, new media, and performance studies by exploring what is at stake when we attempt to represent war, genocide, and other violations of human rights in a variety of creative works. A model of community-university collaboration, it includes contributions from scholars in a wide range of disciplines, survivors of mass violence, and performers and artists who have created works based on these events. This anthology is global in focus, with essays on Africa, Asia, Europe, Latin America, and North America. At its core is a productive tension between public and private memory, a dialogue between autobiography and biography, and between individual experience and societal transformation. Remembering Mass Violence will appeal to oral historians, digital practitioners and performance-based artists around the world, as well researchers and activists involved in human rights research, migration studies, and genocide studies.

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