Born Translated

As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium rather than as an afterthought. These strategies challenge the global dominance of English, complicate "native" readership, and protect creative works against misinterpretation as they circulate. They have also given rise to a new form of writing that confounds traditional models of literary history and political community. Born Translated builds a much-needed framework for understanding translation's effect on fictional works, as well as digital art, avant-garde magazines, literary anthologies, and visual media. Artists and novelists discussed include J. M. Coetzee, Junot Díaz, Jonathan Safran Foer, Mohsin Hamid, Kazuo Ishiguro, Jamaica Kincaid, Ben Lerner, China Miéville, David Mitchell, Walter Mosley, Caryl Phillips, Adam Thirlwell, Amy Waldman, and Young-hae Chang Heavy Industries. The book understands that contemporary literature begins at once in many places, engaging in a new type of social embeddedness and political solidarity. It recasts literary history as a series of convergences and departures and, by elevating the status of "born-translated" works, redefines common conceptions of author, reader, and nation.

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Readers Reading and Reception of Translated Fiction in Chinese

Translated fiction has largely been under-theorized, if not altogether ignored, in literary studies. Though widely consumed, translated novels are still considered secondary versions of foreign masterpieces. Readers, Reading and Reception of Translated Fiction in Chinese recognizes that translated novels are distinct from non-translated novels, just as they are distinct from the originals from which they are derived, but they are neither secondary nor inferior. They provide different models of reality; they are split apart by two languages, two cultures and two literary systems; and they are characterized by cultural hybridity, double voicing and multiple intertextualities. With the continued popularity of translated fiction, questions related to its reading and reception take on increasing significance. Chan draws on insights from textual and narratological studies to unravel the processes through which readers interact with translated fiction. Moving from individual readings to collective reception, he considers how lay Chinese readers, as a community, 'received' translated British fiction at specific historical moments during the late twentieth and early twenty-first centuries. Case studies discussed include translations of stream-of-consciousness novels, fantasy fiction and postmodern works. In addition to lay readers, two further kinds of reader with bilingual facility are examined: the way critics and historians approach translated fiction is investigated from structuralist and poststrcuturalist perspectives. A range of novels by well-known British authors constitute the core of the study, including novels by Oscar Wilde, James Joyce, D.H. Lawrence, Virginia Woolf, John Fowles, Helen Fielding and J.K. Rowling.

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China

It's time we got to know a little more about the Chinese. Did you know they don't eat soup, they drink it? That their surnames come before their first names? That their good sense is to be found not in their heads but in their hearts? Or that white is their colour of mourning? This guide to avoiding the numerous pitfalls of Chinese etiquette is both amusing and informative. The writer and journalist Kai Strittmatter lived and worked in China for ten years. This amusing, affectionate and perceptive book provides a fascinating guide to this lively, sociable and friendly people and their complex and often contradictory society. As the author says: "Be prepared for everything when you come to Beijing. It really is unbelievable what can happen here." The new material in this edition takes a critical look at the challenges posed by this, the next global superpower.

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Beijing Review

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Creative Multilingualism A Manifesto

Multilingualism is integral to the human condition. Hinging on the concept of Creative Multilingualism – the idea that language diversity and creativity are mutually enriching – this timely and thought-provoking volume shows how the concept provides a matrix for experimentation with ideas, approaches and methods. The book presents four years of joint research on Creative Multilingualism conducted across disciplines, from the humanities through to the social and natural sciences. It is structured as a manifesto, comprising ten major statements which are unpacked and explored through various case studies across ten chapters. They encompass areas including the rich relationship between language diversity and diversity of identity, thought and expression; the interaction between language diversity and biodiversity; the ‘prismatic’ unfolding of meaning in translation; the benefits of linguistic creativity in a classroom-setting; and the ingenuity underpinning ‘conlangs’ (‘constructed languages’) such as Tolkien’s Quenya and Sindarin, designed to give imagined peoples a distinctive medium capable of expressing their cultural identity. Creative Multilingualism: A Manifesto is a welcome contribution to the field of modern languages, highlighting the intricate relationship between multilingualism and creativity, and, crucially, reaching beyond an Anglo-centric view of the world. Intended to spark further research and discussion, this book appeals to young people interested in languages, language learning and cultural exchange. It will be a valuable resource for academics, educators, policy makers and parents of bilingual or multilingual children. Its accessible style also speaks to general readers interested in the role of language diversity in our everyday lives, and the untapped creative potential of multilingualism.

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Children and Youth in the Digital Media Culture

"The present Yearbook showcases the Nordic countries and the work being done in the research communities of Denmark, Finland, Iceland, Norway and Sweden. The focus rests on children, youth and media in a digitized media culture."--Book jacket.

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Harry Potter and the Half blood Prince

J.K. Rowling's Harry Potter and the Half-Blood Prince will be published on July 16, 2005, in Canada, the United Kingdom, the United States, Australia, New Zealand and South Africa. Harry Potter and the Half-Blood Prince, by J.K. Rowling, is the sixth in the bestselling Harry Potter series.In the previous book, Harry Potter and the Order of the Phoenix, the last chapter, titled "The Second War Begins," started:"In a brief statement on Friday night, Minister for Magic Cornelius Fudge confirmed that He Who Must Not Be Named has returned to this country and is once more active ... 'It is with great regret that I must confirm that the wizard styling himself Lord - well, you know who I mean - is alive and among us again,' said Fudge."Harry Potter and the Half-Blood Prince takes up the story of Harry Potter's sixth year at Hogwarts School of Witchcraft and Wizardry at this point as Voldemort's power and followers are increasing day by day, in the midst of this battle of good and evil.The author has already said that the Half-Blood Prince is neither Harry nor Voldemort.Intriguingly, the opening chapter of Harry Potter and the Half-Blood Prince has been brewing in J.K. Rowling's mind for 13 years.All five Harry Potter books are available in various editions: Harry Potter and the Philosopher's Stone, Harry Potter and the Chamber of Secrets, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet of Fire, as well as Harry Potter and the Order of the Phoenix.Raincoast will be simultaneously publishing the standard children's hardback edition (ISBN 0747581088) and an adult hardback edition (ISBN 074758110X). Both editions feature the same text but with different cover artwork.

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The J K Rowling Encyclopedia

Presents alphabetically arranged entries on Rowling's characters, settings, motifs, spells, and magical creatures; as well as the people, places, and events that shaped her life and writings.

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IUI Conference Proceedings

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The Film Encyclopedia 7th Edition

Features alphabetically organized entries on the artistic, technical, and commercial aspects of movies, including style, genres, actors and actresses, directors, producers, and motion picture studios.

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