Kitharologus

The premise of Kitharologus is that "Guitar technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible". Covering all grades from novice to expert, this book is certain to be enthusiastically embraced by any classical guitarist wishing to maximize his technique.

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Ricardo Iznaola Kitharologus The Path to Virtuosity

The premise of Kitharologus is that Guitar technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible. Covering all grades from novice to expert, this book is certain to be enthusiastically embraced by any classical guitarist wishing to maximize his technique.

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Summa Kitharologica Volume 1 The Physiology of Guitar Playing Functional Anatomy and Physiomechanics

Ricardo Iznaola's long-awaited Summa Kitharologica (vol. 1) is the culmination of three decades of deep exploration of the guitarist's playing mechanism and is the most comprehensive presentation of his thinking about these matters to date. Structured in three chapters, Chapter 1 surveys basic anatomy and physiology of the upper limb, with additional sections discussing general pedagogical considerations. Chapter 2, devoted to the right hand, presents detailed information regarding digital joint behavior in general and as applied in actualactivity on the guitar, as well as introducing an analytical system to study anddescribe positional attitudes, or `frames', adopted by the hand in the course ofplaying. Chapter 3 discusses at length left-hand physiomechanics, taking the concepts of shifting and mobility as fundamental categories encompassing all aspects of left-hand technique. Twenty-six anatomical figures, over fifty photosand more than sixty musical examples, with access to online video amply illustrate the text. In the spirit of ground-breaking scientific pioneers, celebrated performer and pedagogue Ricardo Iznaola offers the guitar world the first volume of SummaKitharologica, a comprehensive and highly insightful examination of guitar technique in a remarkable mixture of soaring erudition and down-to-earth practical and applicable approaches to the instrument. Like a modern-day Charles Darwin of the guitar, his insatiable passion for discovery, keen eye of the `naturalist' and relentless analytical mind have carefully and methodically recorded previously little-known or little-recognized observations, relationships and nuances about the natural principles at work in artful guitar playing. For guitar instructors, serious students and even advanced performers who desire to go beyond the `what' ofguitar technique and delve into its `whys' and `hows', this may well be thedefinitive text. Henry Adams, former editor, Guitar and Lute Magazine

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The Complete Chopin Mazurkas

This collection presents, for the first time, the complete Mazurkas of Frederic Chopin arranged for solo classical guitar. the Mazurka is the only form the composer embraced throughout his lifetime. the distinctive and personal pieces are unimaginably varied and colorful, ranging from brief and vigorous dances to deep and complex extended works. Always achingly melodic and featuring surprising harmonies not evident in his other compositions, the Mazurkas are a true monument to Chopin's genius. These new arrangements were prepared with rigorous fidelity to the originals, while never sacrificing true playability. Careful attention to every detail of execution combined with thorough notes on each piece and the folk dance tradition that inspired them to make this unique offering truly user-friendly. Musically beautiful, idiomatic and accessible, this monumental collection is a breathtaking addition to the guitar repertoire. Written in standard notation only.

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Practicing Music by Design

Practicing Music by Design: Historic Virtuosi on Peak Performance explores pedagogical practices for achieving expert skill in performance. It is an account of the relationship between historic practices and modern research, examining the defining characteristics and applications of eight common components of practice from the perspectives of performing artists, master teachers, and scientists. The author presents research past and present designed to help musicians understand the abstract principles behind the concepts. After studying Practicing Music by Design, students and performers will be able to identify areas in their practice that prevent them from developing. The tenets articulated here are universal, not instrument-specific, borne of modern research and the methods of legendary virtuosi and teachers. Those figures discussed include: Luminaries Franz Liszt and Frederic Chopin Renowned performers Anton Rubinstein, Mark Hambourg, Ignace Paderewski, and Sergei Rachmaninoff Extraordinary teachers Theodor Leschetizky, Rafael Joseffy, Leopold Auer, Carl Flesch, and Ivan Galamian Lesser-known musicians who wrote perceptively on the subject, such as violinists Frank Thistleton, Rowsby Woof, Achille Rivarde, and Sydney Robjohns Practicing Music by Design forges old with new connections between research and practice, outlining the practice practices of some of the most virtuosic concert performers in history while ultimately addressing the question: How does all this work to m practice practices [ first word is in italics] ake for better musicians and artists?

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Reaching the Next Level

A guide for intermediate and advanced classical guitarists, addressing technical and musical issues. Any serious student of classical guitar will appreciate this book which covers topics often heard in a lesson, but seldom covered in a book, with appropriate repertoire provided. Topics covered include technical control, study habits, crafting interpretations, tone production, performance anxiety, and much more.Students and teachers alike will appreciate the varied repertoire selections, as well as the annotated repertoire list included for further study. Includes thoughtful discussion of each topic and careful choice of repertoire to allow guitarists to overcome obstacles and reach the next level in their playing.•

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International Who s who in Classical Music

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The Guitar in Venezuela

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European Music Catalogue

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Collecci n de estudios Madrid 1820 Nuevo m todo de guitarra op 6 biography and bibliography

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Music in Print Master Title Index 1999

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Classical Guitar Music in Print

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Classical Guitar Music in Print

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Joaquin Clerch

The Cuban guitarist and proteg of Leo Brouwer, Joaqun Clerch has been described by Eliot Fisk as the outstanding guitarist of his generation worldwide; he is also a prize-winning composer.

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Music in Print Master Composer Index 1999

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Music in Print Master Composer Index

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Music in Print Master Title Index

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International Who s who in Music and Musicians Directory

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La guitare fix e sur le tripodison ou fixateur

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The complete works for guitar Fifteen works with opus number Douze valses op 1 Trois rondo rondos brillants op 2 Huit petites pi ces op 3 Huit petites pi ces op 3 fils de B Schott Mainz Six petites pi ces op 4 Six petites pi ces op 4 fils de B Schott Mainz Quatre Andantes Andante et Quatre valses faciles op 5 fac sim du ms Valses faciles op 7 Contredanses et valses faciles op 8 Contredanses non difficiles op 9 Exercices faciles et tr s utiles op 10 Les favorites Huit contredanses op 11 Six menuets six valses op 12 Morceaux agr ables non difficiles op 13 Dix petites pi ces non difficiles op 14 Le menuet affandangado Air espagnol op 15 Le fandango vari op 16

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