Labyrinths

Forty short stories and essays have been selected as representative of the Argentine writer's metaphysical narratives

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Inequality and the Labyrinths of Democracy

A global panorama of the historical development and contemporary malaise of liberal democracy, from a renowned social theorist. Barely a century has passed since liberal democracy became established in the majority of advanced capitalist economies. Elsewhere, it is of even more recent vintage. Classical liberalism held universal suffrage a mortal threat to property. So why did it nevertheless come to pass, and how stable today is the marriage between representative government and the continued rule of capital? People on all continents consider inequality a "very big problem". The Davos Economic Forum and the OECD say they are worried. But capitalist democracies don't respond. How has democracy been transformed from a popular demand for social justice to a professional power game? These questions are raised, and answered, in Inequality and the Labyrinths of Democracy. Together with an essay on the current situation, it includes a compact global history of 'The Right to Vote and the Four World Routes to/through Modernity' and two landmark essays from New Left Review, 'The Rule of Capital and the Rise of Democracy' and 'The Travail of Latin American Democracy', collected here in book form for the first time.

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Labyrinths

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Labyrinths

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Lapps and Labyrinths

Professor Noel D. Broadbent is one of Sweden's foremost experts on north Swedish archaeology and literally wrote the book on the prehistory of the Skellefteå region on the North Bothnian coast. This knowledge is now brought to bear on the issue of Saami origins. The focus is on the successful adaptive strategies of Saami societies over thousands of years - a testimony to Saami resiliency, of relevance to the survival of indigenous societies worldwide today.

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Mazes and Labyrinths A General Account of their History and Development

The hedge-maze, which is the only type with which most of us have a first-hand acquaintance, is generally felt to be a survival of a romantic age, even though we esteem its function as nothing higher than that of a playground for children. Many a tender intrigue has been woven around its dark yew alleys. Mr. Compton Mackenzie, for example, introduces it most effectively as a lovers' rendezvous in "The Passionate Elopement," and no doubt the readers of romantic literature will recall other instances of a like nature. The story of fair Rosamond's Bower is one which will leap to the mind in this connection. This type of maze alone is worth more than a passing thought, but it is far from being the only, or even the most interesting, development of the labyrinth idea. What is the difference, it may be asked, between a maze and a labyrinth? The answer is, little or none. Some writers seem to prefer to apply the word "maze" to hedge-mazes only, using the word "labyrinth" to denote the structures described by the writers of antiquity, or as a general term for any confusing arrangement of paths. Others, again, show a tendency to restrict the application of the term "maze" to cases in which the idea of a puzzle is involved. It would certainly seem somewhat inappropriate to talk of "the Cretan Maze" or "the Hampton Court Labyrinth," but, generally speaking, we may use the words interchangeably, regarding "maze" as merely the northern equivalent of the classic "labyrinth." Both words have come to signify a complex path of some kind, but when we press for a closer definition we encounter difficulties. We cannot, for instance, say that it is "a tortuous branched path designed to baffle or deceive those who attempt to find the goal to which it leads," for, though that description holds good in some cases, it ignores the many cases in which there is only one path, without branches, and therefore no intent to baffle or mislead, and others again in which there is no definite "goal." We cannot say that it is a winding path "bounded by walls or hedges," for in many instances there are neither walls nor hedges. One of the most famous labyrinths, for example, consisted chiefly of a vast and complicated series of rooms and columns. In fact, we shall find it convenient to leave the question of the definition of the words, and also that of their origin, until we have examined the various examples that exist or are known to have existed.

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The Fictional Labyrinths of Thomas Pynchon

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New Scientist

New Scientist magazine was launched in 1956 "for all those men and women who are interested in scientific discovery, and in its industrial, commercial and social consequences". The brand's mission is no different today - for its consumers, New Scientist reports, explores and interprets the results of human endeavour set in the context of society and culture.

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Labyrinths

This book shows students how to write and design effective, interactive multimedia for CDs and Web sites. It discusses scripting and conceptual development. Its writing and charting techniques make it a practical guide for students, professional writers, producers, and others looking to create meaningful content.

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Labyrinths with Path of Thunder

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Labyrinths

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The Living Church

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Labyrinths paracriticism

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Letters and Labyrinths

Letters and labyrinths, towers, mirrors, and photographs - these objects surround us in our daily lives and speak to the creativity and innovative possibilities of human culture, the degree to which we invent, form, shape, and give meaning to our world and lives. However, one might also suggest that they are emblematic of a code that has already been put in place and that we are the mere perpetuators of a master plot. This book explores the way these objects, vacillating between concrete presences and metaphorical configurations, inform literary texts and provide a suggestive background on which to interrogate gender-related issues as well as questions of subjectivity.

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Love s Labyrinths

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Paths and Labyrinths

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Multicursal Labyrinths in the Work of Brian Ferneyhough

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Mirrors and Holographic Labyrinths

Comprising a translation of Izarra's doctoral thesis, submitted at the University of Sao Paulo, Brazil in 1995, this volume examines Irish novelist John Banville's nine novels published through 1995. Using the metaphor of the hologram as the basis of Banville's writing and using the same metaphor as the basis of her own reading of his work, she defines the "new synthesis" proposed by Banville, who foresees the end of postmodernism and a movement towards a new synthesis in art. Discussed are postmodern, postcolonial, and contemporary post- Newtonian scientific theories, as well as analysis of theories of discourse, art, psychology, and history. Annotation copyrighted by Book News Inc., Portland, OR

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Labyrinths of Love

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Labyrinths of the Colonial Archive

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