Medieval Afterlives in Popular Culture

This book is concerned with our ideological, technical and emotional investments in reclaiming medieval for contemporary popular culture.

Author: G. Ashton

Publisher: Springer

ISBN: 1137105178

Category: Literary Criticism

Page: 245

View: 113

This book is concerned with our ideological, technical and emotional investments in reclaiming medieval for contemporary popular culture. The authors illuminate both medieval and contemporary popular culture in surprising and productive ways while interrogating the many ways in which metamedievalism reinterprets and reconceptualises the medieval.

Medieval Afterlives in Contemporary Culture

With contributions from 29 leading international scholars, this is the first single-volume guide to the appropriation of medieval texts in contemporary culture.

Author: Gail Ashton

Publisher: Bloomsbury Publishing

ISBN: 144116068X

Category: Literary Criticism

Page: 368

View: 321

With contributions from 29 leading international scholars, this is the first single-volume guide to the appropriation of medieval texts in contemporary culture. Medieval Afterlives in Contemporary Culture covers a comprehensive range of media, including literature, film, TV, comics book adaptations, electronic media, performances, and commercial merchandise and tourism. Its lively chapters range from Spamalot to the RSC, Beowulf to Merlin, computer games to internet memes, opera to Young Adult fiction and contemporary poetry, and much more. Also included is a companion website aimed at general readers, academics, and students interested in the burgeoning field of Medieval afterlives, complete with: - Further reading/weblinks - 'My favourite' guides to contemporary medieval appropriations - Images and interviews - Guide to library archives and manuscript collections - Guide to heritage collection See also our website at https://medievalafterlives.wordpress.com/.

Beowulf s Popular Afterlife in Literature Comic Books and Film

Medieval Afterlives in Contemporary Culture. London: Bloomsbury, 2015. Asma, Stephen T. On Monsters: An Unnatural History of Our Worst Fears.

Author: Kathleen Forni

Publisher: Routledge

ISBN: 0429880367

Category: Literary Criticism

Page: 208

View: 807

Beowulf's presence on the popular cultural radar has increased in the past two decades, coincident with cultural crisis and change. Why? By way of a fusion of cultural studies, adaptation theory, and monster theory, Beowulf's Popular Afterlife examines a wide range of Anglo-American retellings and appropriations found in literary texts, comic books, and film. The most remarkable feature of popular adaptations of the poem is that its monsters, frequently victims of organized militarism, male aggression, or social injustice, are provided with strong motives for their retaliatory brutality. Popular adaptations invert the heroic ideology of the poem, and monsters are not only created by powerful men but are projections of their own pathological behavior. At the same time there is no question that the monsters created by human malfeasance must be eradicated.

The Middle Ages on Television

Richard Utz, “Robin Hood, Frenched,” in Medieval Afterlives in Popular Culture, ed. Gail Ashton and Daniel T. Kline (New York: Palgrave Macmillan, 2012), ...

Author: Meriem Pages

Publisher: McFarland

ISBN: 0786479418

Category: History

Page: 232

View: 383

The past decade has seen a resurgence of popular interest in the Middle Ages. Television in particular has presented a wide and diverse array of "medieval" offerings. Yet there exists little scholarship on television medievalism. This collection fills this gap with 10 new essays focusing on the depiction of the Middle Ages in popular culture and questioning the role of television in shaping our ideas about past and present. The contributors discuss the currency of television medievalism, emphasizing the need for scholars of contemporary medievalism to pay attention to its manifestations on the small screen. The essays cover a range of topics, including genre, gender and sexuality. Series covered include Game of Thrones, Merlin, Full Metal Jousting, Joan of Arcadia, Tudors, Camelot and Mists of Avalon.

Medieval Imaginaries in Tourism Heritage and the Media

Popular medievalisms in the classroom', in G. Ashton (Ed.), Medieval afterlives in contemporary culture (pp. 58–66), London: Bloomsbury.

Author: Jennifer Frost

Publisher: Routledge

ISBN: 0429655339

Category: Business & Economics

Page: 262

View: 327

This book examines the pervading influence of medieval culture, through an exploration of the intersections between tourism, heritage, and imaginaries of the medieval in the media. Drawing on examples from tourist destinations, heritage sites, fictional literature, television and cinema, the book illustrates how the medieval period has consistently captured the imagination of audiences and has been reinvented for contemporary tastes. Chapters present a range of international examples, from nineteenth century Victorian notions of chivalry, knights in shining armour exemplified by King Arthur, and damsels in distress, to the imagining of the Japanese samurai as medieval knights. Other topics explored include the changing representations of medieval women, the Crusades and the Vikings, and the challenges faced by medieval cathedrals to survive economically and socially. This book offers multidisciplinary perspectives and will appeal to scholars and students across a variety of disciplines such as cultural studies, history, tourism, heritage studies, historical geography and sociology.

The Medieval British Literature Handbook

One-stop resource for courses in medieval literature, providing students with a comprehensive guide to the historical and cultural context; major texts and movements; reading primary and critical texts; key critics, concepts and topics; ...

Author: Daniel T. Kline

Publisher: A&C Black

ISBN: 0826494099

Category: Literary Criticism

Page: 300

View: 505

One-stop resource for courses in medieval literature, providing students with a comprehensive guide to the historical and cultural context; major texts and movements; reading primary and critical texts; key critics, concepts and topics; major critical approaches and directions of new research.

The Oxford Handbook of Music and Medievalism

In Medieval Afterlives in Contemporary Culture, edited by Gail Ashton, 263–274. London: Bloomsbury, 2015. Warrack, John. Richard Wagner: “Die Meistersinger ...

Author: Stephen C. Meyer

Publisher: Oxford University Press

ISBN: 0190658460

Category: Music

Page: 736

View: 467

The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.

A New Companion to Chaucer

Forni, Chaucer's Afterlife: Adaptation in Recent Popular Culture ... Jonathan (2015) “Global Chaucers,” in Medieval Afterlives in Contemporary Culture, ed.

Author: Peter Brown

Publisher: Wiley-Blackwell

ISBN: 1118902254

Category: Literary Criticism

Page: 568

View: 531

The extensively revised and expanded version of the acclaimed Companion to Chaucer An essential text for both established scholars and those seeking to expand their knowledge of Chaucer studies, A New Companion to Chaucer is an authoritative and up-to-date survey of Chaucer scholarship. Rigorous yet accessible, this book helps readers to identify current debates, recognize historical and literary context, and to understand how particular concepts and theories affect the interpretation of Chaucer’s texts. Chaucer specialists from around the globe offer contributions that range from updates of long-standing scholarship on biography, language, women, and social structures, to original research in new areas such as ideology, the afterlife, patronage, and sexuality. In presenting conflicting perspectives and ideological differences, this stimulating volume encourages readers to explore additional paths of inquiry and engage in lively and informed debate. Each chapter of the Companion, organized by issues and themes, balances textual analysis and cultural context by grounding the reader in existing scholarship. Key issues from specific passages are discussed with an annotated bibliography provided for reference and further reading. Compiled with all students of Chaucer in mind, this important volume: Presents contributions from both established and emerging specialists Explores the circumstances in which Chaucer wrote, such as the political and religious issues of his time Includes numerous close readings of selected poems Provides points of entry to a wide range of approaches to Chaucer’s works Incorporates original research, fresh perspectives, and updated additions to Chaucer scholarship A New Companion to Chaucer is a valuable and enduring resource for scholars, teachers, and students of medieval literature and medieval studies, as well as the general reader interested in interpretations and historical contexts of Chaucer’s writings.

Ethics and Medievalism

12 While Monicelli has denied that the film satirizes contemporary Italy, ... of Medieval Popular Culture,” in Medieval Afterlives in Popular Culture, ed.

Author: Karl Fugelso

Publisher: Boydell & Brewer Ltd

ISBN: 1843843765

Category: Literary Criticism

Page: 246

View: 320

Essays on the modern reception of the Middle Ages, built round the central theme of the ethics of medievalism.

Playing the Crusades

1 (2006); Rob Gossedge, “ 'We Are Robin Hood': The Outlaw Tradition in Contemporary Popular Culture,” in Medieval Afterlives in Contemporary Culture, ed.

Author: Robert Houghton

Publisher: Routledge

ISBN: 1000360288

Category: History

Page: 112

View: 389

Engaging the Crusades is a series of volumes which offer windows into a newly emerging field of historical study: the memory and legacy of the crusades. Together these volumes examine the reasons behind the enduring resonance of the crusades and present the memory of crusading in the modern period as a productive, exciting, and much needed area of investigation. This volume considers the appearance and use of the crusades in modern games; demonstrating that popular memory of the crusades is intrinsically and mutually linked with the design and play of these games. The essays engage with uses of crusading rhetoric and imagery within a range of genres – including roleplaying, action, strategy, and casual games – and from a variety of theoretical perspectives drawing on gender and race studies, game design and theory, and broader discussions on medievalism. Cumulatively, the authors reveal the complex position of the crusades within digital games, highlight the impact of these games on popular understanding of the crusades, and underline the connection between the portrayal of the crusades in digital games and academic crusade historiography. Playing the Crusades is invaluable for scholars and students interested in the crusades, popular representations of the crusades, historical games, and collective memory.

The Global South and Literature

In Gail Ashton, ed., Medieval Afterlives in Contemporary Culture. London: Bloomsbury, 179–86. Dargin, Justin, ed. (2013). The Rise of the Global South: ...

Author: Russell West-Pavlov

Publisher: Cambridge University Press

ISBN: 1108246311

Category: Literary Criticism

Page:

View: 421

The 'Global South' has largely supplanted the 'Third World' in discussions of development studies, postcolonial studies, world literature and comparative literature respectively. The concept registers a new set of relationships between nations of the once colonized world as their connections to nations of the North diminish in significance. Such relationships register particularly clearly in contemporary cultural theory and literary production. The Global South and Literature explores the historical, cultural and literary applications of the term for twenty-first-century flows of transnational cultural influence, tracing their manifestations across the Global Southern traditions of Africa, Asia and Latin America. This collection of interdisciplinary contributions examines the origins, development and applications of this emergent term, employed at the nexus of the critical social sciences and developments in literary humanities and cultural studies. This book will be a key resource for students, graduates and researchers working in the field of postcolonial studies and world literature.

Edinburgh Companion to Ezra Pound and the Arts

Sturges, Robert S. (2015), 'Medievalisms in Contemporary Opera', in Gail Ashton (ed.), Medieval Afterlives in Contemporary Culture, London: Bloomsbury ...

Author: Preda Roxana Preda

Publisher: Edinburgh University Press

ISBN: 1474429181

Category: Modernism (Art)

Page: 560

View: 780

Showcases Ezra Pound's close involvement with the arts throughout his careerThe present volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture. Divided into 5 historically and thematically arranged sections, the 28 chapters foreground the shifting significance of art forms throughout Pound's life which he spent in London, Paris, Rapallo and Washington. The Companion maps Pound's practices of engagement with the arts, deepening areas of study that have recently emerged, such as his musical compositions. At the same time, it opens up new fields, particularly Pound's interaction with the performing arts: opera, dance, and cinema. The volume demonstrates overall that Ezra Pound was no mere spectator of the modernist revolution in the arts; rather he was an agent of change, a doer and promoter who also had a deep emotional response to the arts.Key Features: The first book to gather together all the different aspects of the subject of Pound and the artsChapters are devoted to topics never covered before: (cinema; political anarchism; early music; Agnes Bedford; the artists Munch, Lekakis, Martinelli, Frampton) Presents the ways Pound's interests and activities in the arts change over time in a continuous story, from his beginnings to his old ageIncludes portraits of friendships and short biographies of artists connected to Pound, showing his personal impact in the arts world

From Medievalism to Early Modernism

From Medievalism to Early-Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early-modernism—a new term ...

Author: Marina Gerzic

Publisher: Routledge

ISBN: 0429683006

Category: Literary Criticism

Page: 268

View: 818

From Medievalism to Early-Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early-modernism—a new term introduced in this collection—present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture—such as the allusions to John Webster’s The Duchess of Malfi (1623) in J.K. Rowling’s Harry Potter books, and the impact of intertextual references and internet fandom on the BBC’s The Hollow Crown: The Wars of the Roses—the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early-Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality.

Shapers of American Childhood

Medieval Afterlives in Contemporary Culture. new York: Bloomsbury 2015. ... Generation Reflect on Their Ongoing Relationship with a cultural Phenomenon.

Author: Mark I. West

Publisher: McFarland

ISBN: 1476664552

Category: Social Science

Page: 286

View: 294

The experience of growing up in the U.S. is shaped by many forces. Relationships with parents and teachers are deeply personal and definitive. Social and economic contexts are broader and harder to quantify. Key individuals in public life have also had a marked impact on American childhood. These 18 new essays examine the influence of pivotal figures in the culture of 20th and 21st century childhood and child-rearing, from Benjamin Spock and Walt Disney to Ruth Handler, Barbie's inventor, and Ernest Thompson Seton, founder of the Boy Scouts of America.

Python beyond Python

... Medieval Afterlives in Contemporary Culture, edited by Gail Ashton (London: Bloomsbury Academic, 2015), 13. Leonard Lopate and Michael Palin, writers.

Author: Paul N. Reinsch

Publisher: Springer

ISBN: 3319513850

Category: Performing Arts

Page: 246

View: 861

This collection of original, interdisciplinary essays addresses the work of Monty Python members beyond the comedy show, films, and live performances. These men are prolific creators in a variety of artistic realms beyond the confines of the comedy troupe. Their work as individuals, before and after coming together as Monty Python, demonstrates a restless curiosity about culture that embraces absurdity but seldom becomes cynical. Python members collectively and individually create unique approaches to theatre, film, video games, comic books, business training videos and more. Python Beyond Python increases our understanding of this often neglected work and the meanings of Monty Python.

Emotions in a Crusading Context 1095 1291

Although the condemnatory readings of medieval emotions by traditionalists like ... and Reality Television, in Medieval Afterlives in Popular Culture, ed.

Author: Stephen J. Spencer

Publisher: Oxford University Press

ISBN: 0192569864

Category: History

Page: 320

View: 121

Emotions in a Crusading Context is the first book-length study of the emotional rhetoric of crusading. It investigates the ways in which a number of emotions and affective displays — primarily fear, anger, and weeping — were understood, represented, and utilized in twelfth- and thirteenth-century western narratives of the crusades, making use of a broad range of comparative material to gauge the distinctiveness of those texts: crusader letters, papal encyclicals, model sermons, chansons de geste, lyrics, and an array of theological and philosophical treatises. In addition to charting continuities and changes over time in the emotional landscape of crusading, this study identifies the underlying influences which shaped how medieval authors represented and used emotions; analyzes the passions crusade participants were expected to embrace and reject; and assesses whether the idea of crusading created a profoundly new set of attitudes towards emotions. Emotions in a Crusading Context calls on scholars of the crusades to reject the traditional methodological approach of taking the emotional descriptions embedded within historical narratives as straightforward reflections of protagonists' lived feelings, and in so doing challenges the long historiographical tradition of reconstructing participants' beliefs and experiences from these texts. Within the history of emotions, Stephen J. Spencer demonstrates that, despite the ongoing drive to develop new methodologies for studying the emotional standards of the past, typified by experiments in 'neurohistory', the social constructionist (or cultural-historical) approach still has much to offer the historian of medieval emotions.

The Narratology of Comic Art

In Medieval Afterlives in Contemporary Culture, 291–300. Ed. Gail Ashton. London: Bloomsbury Publishing. Töpffer, Rodolphe.

Author: Kai Mikkonen

Publisher: Taylor & Francis

ISBN: 1315410125

Category: Comics & Graphic Novels

Page: 324

View: 272

By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology.

Beowulf in Contemporary Culture

14 Forni, Beowulf's Popular Afterlife, p. 9. 15 Bull, Thinking Medieval, p. 7. 16 Candace Barrington and Timothy English, 'Best and Only Bulwark: How Epic ...

Author: David Clark

Publisher: Cambridge Scholars Publishing

ISBN: 1527544060

Category: Poetry

Page: 263

View: 225

This collection explores Beowulf’s extensive impact on contemporary culture across a wide range of forms. The last 15 years have seen an intensification of scholarly interest in medievalism and reimaginings of the Middle Ages. However, in spite of the growing prominence of medievalism both in academic discourse and popular culture—and in spite of the position Beowulf itself holds in both areas—no study such as this has yet been undertaken. Beowulf in Contemporary Culture therefore makes a significant contribution both to early medieval studies and to our understanding of Beowulf’s continuing cultural impact. It should inspire further research into this topic and medievalist responses to other aspects of early medieval culture. Topics covered here range from film and television to video games, graphic novels, children’s literature, translations, and versions, along with original responses published here for the first time. The collection not only provides an overview of the positions Beowulf holds in the contemporary imagination, but also demonstrates the range of avenues yet to be explored, or even fully acknowledged, in the study of medievalism.

Sparks and Seeds

The articles are as follows: Giuseppe Mazzotta, 'Introduction'; Dennis Costa, 'Conversion to the text's terms: processes of signification in Bonaventure's Itinerarium Mentis in Deum; Dana Stewart, 'Spirits of love: subjectivity, gender, and ...

Author: John Freccero

Publisher: Brepols Pub

ISBN:

Category: History

Page: 347

View: 776

John Freccero is internationally renowned for his scholarship on Dante, Petrarch, Macchiavelli, and other authors. Currently Professor of Italian and Comparative Literature at New York University, he has also taught at Yale, Stanford, Cornell, and Johns Hopkins. His numerous honours include Fulbright and Guggenheim fellowships and awards from the city of Florence and the Republic of Italy. His publications encompass articles on film, philosophy, and literature of virtually all time periods. All the authors in this Festschrift are former students of Freccero. All the articles appertain to Italian literature - from Dennis Costa's literary analysis of Bonaventure's Itinerarium to Patricia Parker's tracing of the State of Maryland's medieval Italian motto back through its English Renaissance sources. Many pieces are concerned with Dante directly (Kleiner, Schnapp, Jacoff, Cornish, Ginsberg, Hawkins, Chiarenza), and several others dealing with medieval and Renaissance Italian subjects do so indirectly (Costa, Stephens, Quint). Two are concerned with pre-modern cultural and literary implications of the history of science (Stewart, Reeves); the remainder trace the afterlife of medieval or Renaisance Italian motifs in modern culture (Parker, West, Marcus). The articles are as follows: Giuseppe Mazzotta, 'Introduction'; Dennis Costa, 'Conversion to the text's terms: processes of signification in Bonaventure's Itinerarium Mentis in Deum; Dana Stewart, 'Spirits of love: subjectivity, gender, and optics in the lyrics of Guido Cavalcanti'; John Kleiner, 'On failing one's teachers: Dante, Virgil, and the ironies of instruction'; Jeffrey Schnapp, 'Lectura Dantis: Inferno 30'; Rachel Jacoff, 'Our bodies, our selves: the body in the Commedia'; Alison Cornish, 'Telling time in Purgatory'; Warren Ginsberg, 'Dante's aesthetics of being'; Peter Hawkins, 'Are you here?: Surprise in the Commedia'; Marguerite Chiarenza, 'Solomon's Song in the Divine Comedy'; (...)

Imagining the Medieval Afterlife

... Medieval Afterlife', in I. Moreira and M. M. Toscano (eds.), Hell and Its Afterlife: Historical and Contemporary Perspectives (Farnham, 2010), 53–72.

Author: Richard Matthew Pollard

Publisher: Cambridge University Press

ISBN: 1316832465

Category: Literary Criticism

Page:

View: 412

Where do we go after we die? This book traces how the European Middle Ages offered distinctive answers to this universal question, evolving from Antiquity through to the sixteenth century, to reflect a variety of problems and developments. Focussing on texts describing visions of the afterlife, alongside art and theology, this volume explores heaven, hell, and purgatory as they were imagined across Europe, as well as by noted authors including Gregory the Great and Dante. A cross-disciplinary team of contributors including historians, literary scholars, classicists, art historians and theologians offer not only a fascinating sketch of both medieval perceptions and the wide scholarship on this question: they also provide a much-needed new perspective. Where the twelfth century was once the 'high point' of the medieval afterlife, the essays here show that the afterlife of the early and later Middle Ages were far more important and imaginative than we once thought.