Pygmalion

The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first ...

Author: Bernard Shaw

Publisher: Lulu.com

ISBN: 1678003131

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Page: 110

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Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871. Shaw would also have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and its film version. Shaw mentioned that the character of Professor Henry Higgins was inspired by several British professors of phonetics: Alexander Melville Bell, Alexander J. Ellis, Tito Pagliardini, but above all, the cantankerous Henry

Pygmalion

Author: George Bernard Shaw

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ISBN:

Category:

Page: 148

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Pygmalion

BOOK I . PYGMALION ' S HOME . II . PYGMALION ' S WORK . III . STATUE OF
HEBE . IV . PRAYER IN THE TEMPLE V . PYGMALION AND HIS MOTHER VI .
PYGMALION AND ORSINES VII . PRAYER GRANTED VIII . STATUE
COMPLETED .

Author: Thomas Woolner

Publisher:

ISBN:

Category: English poetry

Page: 208

View: 719


Pygmalion and Galatea etc

Grant this , my first appeal — I do not ask Pygmalion's love ; I ask Pygmalion's life
. ( PYGMALION utters an exclamation of joy . She rushes to him and seizes his
hand . ] Pygmalion ! PYG I have no words in which To teil the joy with which I ...

Author: William Schwenck Gilbert

Publisher:

ISBN:

Category:

Page: 40

View: 735


Pygmalion and Galatea An Entirely Original Mythological Comedy In 3 Acts

And we who ' ve seen the work the gods turned out , Would rather leave it to
Pygmalion ! DAPH . ( taking CHRysos ' arm , who is looking at a statue of Venus .
) Come along do ! [ Exeunt , U . E . R . Enter MYRINE , I . E . L . in greut distress .

Author: William Schwenck Gilbert

Publisher:

ISBN:

Category:

Page: 40

View: 701


Pygmalion in Cyprus and Other Poems

L . And straightway to thy face ( As colour to the rose ) the life doth rush To tint thy
marble with a roseate blush . LI . “ Pygmalion . ” — 0 ye gods !“ Pygmalion , thou
hast wrong ' d me . ” — " Twere a sin , A two - fold grief , I should repent me in .

Author: George Eric Lancaster

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Page: 154

View: 840


Pygmalion and other poems

When that the sculptor and his bride Had passed from out the summertide Into
the winter of the year When they were wed ; and bleak and blear The world was
shivering outside , Pygmalion ' s tough coat of pride Was pierced and riddled ,
and ...

Author: John Hooley

Publisher:

ISBN:

Category:

Page:

View: 316


Edgar Or The New Pygmalion

EDGAR , OR THE NEW PYGMALION . ACT I. SCENE I. - A wood upon the sea -
shore . A starlight night . Edgar asleep . Various spirits singing . Eos . Gorgeous
splendours , born of morning , Moving , burning , blazing , dun ; Calm
awakenings ...

Author: Sir Ronald Ross

Publisher:

ISBN:

Category: English drama

Page: 151

View: 639


Pygmalion Child of the Lake The Three Rings and Other Poems

Mary Nagle. PYGMALION . THE THREE RINGS . “ PYGMALION . ” “ What fine
chisel , Could Author's Introduction, Author's Dedication, Pygmalion, The Three
Rings,

Author: Mary Nagle

Publisher:

ISBN:

Category:

Page: 200

View: 323


Pygmalion

The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea first presented in ...

Author: George Shaw

Publisher:

ISBN: 9781511441650

Category:

Page: 98

View: 483

Support Struggle for Public Domain: like and share http://facebook.com/BookLiberationFrontPygmalion is a play by George Bernard Shaw, named after a Greek mythological character. It was first presented on stage to the public in 1912. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea first presented in 1871. Shaw also would have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and the film of that name.

Pygmalion

This unit has been designed to develop students' reading, writing, thinking, and language skills through exercises and activities related to Pygmalion by Bernard Shaw.

Author: Mary B. Collins

Publisher:

ISBN: 9781583371077

Category: Content area reading

Page: 114

View: 215

This unit has been designed to develop students' reading, writing, thinking, and language skills through exercises and activities related to Pygmalion by Bernard Shaw. It includes eighteen lessons, supported by extra resource materials -- from the Introduction.

George Bernard Shaw s Pygmalion

Essays discuss the themes, style, and plot of Shaw's play, and compare it to plays by Shakespeare and Ibsen

Author: Harold Bloom

Publisher: Chelsea House

ISBN:

Category: Juvenile Nonfiction

Page: 144

View: 243

Essays discuss the themes, style, and plot of Shaw's play, and compare it to plays by Shakespeare and Ibsen

Pygmalion by Bernard Shaw

The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea first presented in ...

Author: Bernard Shaw

Publisher:

ISBN:

Category:

Page: 134

View: 638

Pygmalion is a play by George Bernard Shaw, named after a Greek mythological character. It was first presented on stage to the public in 1912. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea first presented in 1871. Shaw also would have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and the film of that name. Pygmalion is one of the most popular comedies in the English language. A staple of college drama courses, it is still widely performed.

The Pygmalion Effect

Details in J. L. Carr, “Pygmalion and the Philosophes: The Animated Statue in
Eighteenth- Century France,” Journal of the Warburg and Courtauld Institutes 23 (
1960): 239–55. 6. René Descartes, L'Homme (Leiden, 1662), vol. 1 of Descartes
 ...

Author: Victor I. Stoichita

Publisher: University of Chicago Press

ISBN: 0226775216

Category: Art

Page: 252

View: 654

Pygmalion's sculpture, which the gods endowed with life, marks, according to this book, perhaps the first instance in Western art of an image that exists on its own terms, rather than simply imitating something else. Stoichita delivers this image and its avatars from the shadow cast by art that merely replicates reality.

Playing Pygmalion

How People Create One Another Ruthellen Josselson. Playing Pygmalion How
People Create One Another Ruthellen Iosselson 8* JASON ARONSON Lanham '
Boulder ' New York ' Toronto ' Plymouth, UK Published in the United States of ...

Author: Ruthellen Josselson

Publisher: Jason Aronson, Incorporated

ISBN: 1461630010

Category: Psychology

Page: 166

View: 710

We create the characters that people our lives. Although others appear to us to be who they just 'are', there are complicated unconscious psychological processes that lead us to experience people in ways that we ourselves construct. This book analyzes how four pairs of people, central in each other's lives, 'create' one another. It demonstrates how each of us is like a theater director, casting others into roles on our stage, even as others are casting us into their dramas.

CliffsNotes on Shaw s Pygmalion Arms and the Man

Marilynn O Harper, James K Lowers. PYGMALION Play Summary On a summer
evening in London's Covent Garden, Pygmalion.

Author: Marilynn O Harper

Publisher: Houghton Mifflin Harcourt

ISBN: 0544183568

Category: Literary Criticism

Page: 73

View: 171

In Pygmalion, Shaw presents the classical story of a professor who transforms a girl of the lower class into an elegant creature, who then falls in love with him—unfortunately in love, that is. Set in Bulgaria, Arms and the Man satirizes romantic attitudes about love and war. Raina, the heroine, falls in love with a cowardly, chocolate-loving enemy soldier during an unnamed war. After the war, her fiance challenges her new admirer to a duel, loses heart, and proposes to the maid instead.

Versions of Pygmalion

PROEM Pygmalion's Prosopopoeia One of the most artful features of that most
artful of poems , Ovid's Metamorphoses , is the concatenation between any one
story and those that come before and after . The Metamorphoses is not just a ...

Author: Uci Distinguished Professor Emeritus J Hillis Miller

Publisher: Harvard University Press

ISBN: 9780674934856

Category: Literary Criticism

Page: 263

View: 990

Discusses the ethics of writing and reading fiction, the creation and action of characters, and works by Henry James, Melville, Heinrich von Kleist, and Maurice Blanchot

Pygmalion

CONTENTS PAGE Preface to PYGMALION • • - • - I PYGMALION: Act I - • - - - - - 7
Act II - - - - • - • 20 Act III - - - - - - • 51 Act IV • - • • • - - 72 Act W - - - • - - - - 83 By
A. C. WARD General Introduction to the Works of Bernard Shaw • II9 Introduction
to ...

Author:

Publisher: Orient Blackswan

ISBN: 9788125012603

Category:

Page: 158

View: 664


From Song to Book

Pygmalion is Jean's answer to Narcissus.26 In Guillaume's poem, as we have
seen, it is suggested that Narcissus metamorphoses into a written text. The
production of this text means that Narcissus's love was not totally fruitless; he left
at least ...

Author: Sylvia Huot

Publisher: Cornell University Press

ISBN: 1501746677

Category: Poetry

Page: 390

View: 648

As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.

Pygmalion

The Truth about " Pygmalion . ” London : William Heinemann , 1969 . Recounts
the background of the writing of the play , Shaw ' s relations with Mrs . Patrick
Campbell and Beerbohm Tree regarding it , its rehearsals , and its sensational ...

Author: Charles A. Berst

Publisher: Macmillan Reference USA

ISBN: 9780805794472

Category: Literary Criticism

Page: 158

View: 668

Presents a critical introduction to Shaw's classic drama, covering characterization, plot, symbolism, and setting.