What is Scenography

This book is suitable for students in Scenography and Theatre Design courses, along with theatre professionals.

Author: Pamela Howard

Publisher: Routledge

ISBN: 1351380338

Category: Performing Arts

Page: 348

View: 173

The third edition of Pamela Howard’s What is Scenography? expands on the author’s holistic analysis of scenography as comprising space, text, research, art, performers, directors and spectators, to examine the changing nature of scenography in the twenty-first century. The book includes new investigations of recent production projects from Howard’s celebrated career, including Carmen and Charlotte: A Tri-Coloured Play with Music, full-colour illustrations of her recent work and updated commentary from a wide spectrum of contemporary theatre makers. This book is suitable for students in Scenography and Theatre Design courses, along with theatre professionals.

What is Scenography

This text presents a re-evaluation of the traditional role of theatre designers, pointing towards a more holistic approach to making theatre.

Author: Pamela Howard

Publisher: Taylor & Francis

ISBN: 0415473136

Category: Performing Arts

Page: 235

View: 795

Scenography is becoming a universally used term in professional theatre practice & education, but what is it? This text presents a re-evaluation of the traditional role of theatre designers, pointing towards a more holistic approach to making theatre.

What is Scenography

and more fluent at describing the space scenographically, working from the actor
outwards. Together, the director and myself (for the work was united and
indivisible) created over fifty drawings, charting like air traffic controllers the
expansion ...

Author: Pamela Howard

Publisher: Routledge

ISBN: 1134855303

Category: Art

Page: 200

View: 784

Pamela Howard's What is Scenography? has become a classic text in contemporary theatre design and performance practice. In this second edition, the author expands on her holistic analysis of scenography as comprising space, text, research, art, performers, directors and spectators, to examine the changing nature of scenography in the twenty-first century. The book includes: case studies and anecdotes from Howard's own celebrated career illustrations of her own recent work, including black and white illustrations throughout and an eight page colour section an updated 'world view' of scenography, with definitions from the world's most famous and influential scenographers A direct and personal response to the question of how to define scenography by one of the world's leading practitioners, What is Scenography? continues to shape the work of visual theatremakers throughout the world.

What is Scenography

Author:

Publisher:

ISBN:

Category:

Page:

View: 846


Contemporary Performance Practice On Scenography Pamela Howard Interviewed by Rachel Hann Interview

Celebrated director and scenographer Pamela Howard gives a history of scenography in practice, including insights into the early days of the Prague Quadrennial.

Author:

Publisher:

ISBN:

Category:

Page:

View: 901

Celebrated director and scenographer Pamela Howard gives a history of scenography in practice, including insights into the early days of the Prague Quadrennial. She explores the political and artistic importance of international collaboration and discusses in detail her seminal book, What is Scenography.

Beyond Scenography

With sections on installation art and gardening as well as marketing and placemaking, this book is an argument for what scenography does: how assemblages of scenographic traits orientate, situate, and shape staged events.

Author: Rachel Hann

Publisher: Routledge

ISBN: 0429950985

Category: Performing Arts

Page: 156

View: 893

Focused on the contemporary Anglophone adoption from the 1960s onwards, Beyond Scenography explores the porous state of contemporary theatre-making to argue a critical distinction between scenography (as a crafting of place orientation) and scenographics (that which orientate acts of worlding, of staging). With sections on installation art and gardening as well as marketing and placemaking, this book is an argument for what scenography does: how assemblages of scenographic traits orientate, situate, and shape staged events. Established stage orthodoxies are revisited - including the symbiosis of stage and scene and the aesthetic ideology of 'the scenic' - to propose how scenographics are formative to all staged events. Consequently, one of the conclusions of this book is that there is no theatre practice without scenography, no stages without scenographics. Beyond Scenography offers a manifesto for a renewed theory of scenographic practice.

Scenographic Imagination

This new edition contains 248 illustrations, 38 more than the second edition. Payne's goal, certainly, is to teach students what to do and how to do it; equally important, however, is Payne's view that scenographers must know why.

Author: Darwin Reid Payne

Publisher: SIU Press

ISBN: 9780809318513

Category: Performing Arts

Page: 328

View: 512

In this enlarged and thoroughly revised third edition of his widely used text, Darwin Reid Payne explores the principles and philosophies that shape the visual elements of theatre. Payne sets out to discover who scenographers are and to define their responsibilities. He sees scenographers as not merely craftspersons but artists with "a special vision that spans all the arts." Such artists are in a position to "extend and amplify underlying meanings of the production." The proper goal of beginning scenographers, according to Payne, is one day to be able to approach the job as artists in full command of their craft. Payne seeks to instill in beginning scenographers a basic core of knowledge: an understanding of theatre history and the development of drama; a knowledge of art history and an understanding of periods and styles of architecture, painting, sculpture, furnishings, and costume; and a familiarity with the principles, techniques, and materials of pictorial and three-dimensional design. This new edition contains 248 illustrations, 38 more than the second edition. Payne's goal, certainly, is to teach students what to do and how to do it; equally important, however, is Payne's view that scenographers must know why. To Payne, "Scenography is an art whose scope is nothing less than the whole world outside the theatre." Scenographers must read not only in their own field but in others as well. Payne has incorporated into his text many suggestions for outside readings, quoting passages and even entire chapters from important works. Stressing research, Payne argues that without knowledge of the literature of their own and related arts, scenographers cannot grow. And that is the emphasis of this book: to present aspiring scenographers with an approach and a set of concepts that will enable them to grow. Toward that end, Payne establishes five priorities, the first of which is to develop in students what he calls "time vision," or the ability to "see" the historical past as a living place with living inhabitants. The second priority is to bring about an awareness that allows students to "see" beneath the surface of objects and events. Third, students must be helped to recognize and appreciate the difference between the "concept of space as it exists outside the theatre and the concept of space as it is used within the theatre." The fourth priority is to ingrain in students an understanding of the importance of imagery to the scenographer, and the final priority is to teach those technical skills necessary to carry out the concepts of the scenographer.

Scenography in Action

2 Another practitioner that has theorized her own work is scenographer Pamela
Howard , who in her book What Is Scenography ? ( 2002 ) reflects on the art of
scenography from her own experiences of theatre practice . Like Denis Bablet ...

Author: Magdalena Holdar

Publisher:

ISBN:

Category: Theater

Page: 138

View: 567


Plays International

mBOOKS m im PICK OF THE MONTH What Is Scenography ? by Pamela
Howard ( Routledge £15 . ... Howard has been describing herself as a
scenographer rather than a designer for some time , and this is her fullest attempt
to describe the ...

Author:

Publisher:

ISBN:

Category: Performing arts

Page:

View: 372


A History of Greek Philosophy

Schauspeaking , can rightly be applied to bach , Schorn and Mullach . Behim and
his friends . sides this treatise he is said ? These dates are given by ( Vitruv . vii .
Præf . 11 ) to have Diog . ii . 7 in part after Apollo- written on Scenography ; and ...

Author: Eduard Zeller

Publisher:

ISBN:

Category: Philosophy, Ancient

Page:

View: 805


The Scenography of Josef Svoboda

Nothing is visible , but this is scenography and is what I think sets me apart from
most other designers . It ' s scenography raised to scenographic direction . *
Above all , of course , scenographic work implies a very close tie with direction .

Author: Jarka Burian

Publisher: Middletown, Conn : Wesleyan University Press

ISBN:

Category: Theaters

Page: 197

View: 113

Josef Svoboda, of Czechoslovakia, is probably the most innovative designer in the theatre today. Every year, throughout a 'season' of twelve months, Svoboda totally designs--'scenographs,' as he prefers to call his work--productions for the legitimate theatre, for operas and ballets and occasionally for films, not only in his native country, but also in England, Scandinavia, Germany, Italy and elsewhere in Europe. In this country he is best know for the series of multiscreen films shown in the Czechoslovak pavillion at Expo 67 in Montreal and for the stark, marvellously evocative sets for the Metropolitan Opera's opening-night production of Carmen in 1972. The major part of this study is devoted to detailed, professional considerations of some sixty key productions, described largely in Svoboda's own words, transcribed and translated from tape-recorded interviews with the author. More than two hundred black-and-white photographs visually reinforce Mr. Burian's explication of the development of Svoboda's methods. Svoboda's scenography emerges as total design, a synthesis of traditional methods and technical innovations that provide a dynamic atmosphere as well as the physical setting.--Back cover.

Van Nostrand s Engineering Magazine

Vitruvius , in his The projections are few , and both in treatise on Architecture ,
mentions ich- plan and elevation the breaks consist of nography , orthography ,
and scenography simple masses of square form . But a as necessary to design .

Author:

Publisher:

ISBN:

Category: Engineering

Page:

View: 753


On Hume and Eighteenth century Aesthetics

Author: Giancarlo Carabelli

Publisher: Peter Lang Pub Incorporated

ISBN:

Category: Philosophy

Page: 222

View: 741

This study is an original approach to the notion of -golden mean- in eighteenth-century culture. It bravely combines intellectual history and material history, spanning the fields of philosophy, aesthetics, painting, sociology, optics, music, theater and garden history in an effort to cross the borders of academic writing, in the stylistic treatment of the subject. Giancarlo Carabelli examines the -golden mean- both in one of the highlights of Enlightenment philosophy - David Hume's essays and his discussion of the middle station of life and of the standard of taste - and in a modest artifact, -intermediate structure- par excellence: the invisible fence of the ha-ha, that magical -middle, - that -simple enchantment, - as Walpole called it, that was typical of eighteenth-century -modern garden-."

Looking Into the Abyss

essays on scenography Arnold Aronson. Weinberger, Jaromir, 144 Weininger,
Andreas, 39 Wellman, Mac, 50, 77 West End, 69, 226 Westminster Abbey, 208
What Is Post-Modernism? (Jencks), 18 What Is Scenography? (Howard), 7 White
 ...

Author: Arnold Aronson

Publisher:

ISBN:

Category: Performing Arts

Page: 236

View: 356

Theater is, first and foremost, a visual art; Looking Into the Abyss examines the ways in which the visual theater affects our understanding of the dramatic event. Arnold Aronson, an internationally prominent historian and theorist of theater set design, opens with an overview of scenographic concepts, including postmodern design and the use of new media in the theater, and continues with analyses of the work of specific designers (including Richard Foreman and David Rockwell) and scenographic responses to playwrights like Chekhov and Tony Kushner. These essays serve to open a dialogue that will bring the physical aspect of theater back into its proper place: an element as integral to the performance as the spoken word, and they will inspire theater-goers to become more aware of their role as seers of the theater. Arnold Aronson is Professor of Theater, Columbia University. He is author of American Avant-Garde Theatre: A History; Architect of Dreams: The Theatrical Vision of Joseph Urban; American Set Design; and The History and Theory of Environmental Scenography.

Staging the metropolis theater politics the American city

Howard's What Is Scenography ? provides a useful definition : “ Urban
scenography — the occupation of formal and informal performing
spacesencourages spontaneous public gatherings and street theatre events .
The building becomes the ...

Author: J. Chris Westgate

Publisher:

ISBN:

Category:

Page: 586

View: 393


TD T

We are now able to say , just as people before have identified themselves with a
group , “ I am a scenographer . ... The principles of scenography are the
principles of Art . The seventeenth - century painter , Jean Siméon Chardin ,
challenged ...

Author:

Publisher:

ISBN:

Category: Theater architecture

Page:

View: 600


Proceedings of the National Seminar on Present Trends in Museology Held on 3rd and 4th December 2003

Howard , Pamela ( 2001 ) What is Scenography ' , Conference on Scenography
held at the Barnard Theatre Columbia University , New York , N.Y. , April 5 , 2001
, Web site . 3. Hudson , Kenneth ( 1985 ) Museums and Their Customers ' in ...

Author:

Publisher:

ISBN:

Category: Museum techniques

Page: 203

View: 846


Souvenir to Commemorate the Completion of One Hundred and Fifty One Years

Howard , Pamela ( 2001 ) ' What is Scenography ' , Conference on Scenography
held at the Barnard Theatre Columbia University , New York , N.Y. , April 5 , 2001
, Web site . 3 . Hudson , Kenneth ( 1985 ) ' Museums and their customers ' in ...

Author: Government Museum (Chennai, India)

Publisher:

ISBN:

Category:

Page: 115

View: 423


The Potentials of Spaces

The book breaks new ground on dramatic and spatial awareness within the tropics of theatre. An essential text for those interested in, or studying, theatrical practice and scenography.

Author: Alison Oddey

Publisher: Intellect Books

ISBN: 1841509493

Category: Performing Arts

Page: 190

View: 523

The Potentials of Spaces interrogates the relationship between scenography and performance in contemporary dramatic activities. The book provides an illuminating platform for discussion concerning the interrelations between theatrical movement and gesture in physical space. In exploring territories of performance, the author equally combines theoretical research with details of dramatic methods and performances, thus providing a valuable insight into working practices. Avant-garde and experimental approaches towards sensory, spatial and visual aspects of the stage are described and explored. Through a discussion regarding the performance possibilities viable through technological development and new media in recent years, the book aims to challenge tradition and inspire new creative directions upon the stage. The book breaks new ground on dramatic and spatial awareness within the tropics of theatre. An essential text for those interested in, or studying, theatrical practice and scenography.

Dramatic Spaces

This book highlights the stakes of the debate about spatiality and the role of the spectator in the auditorium – if audience members are co-creators of the drama, how do they contribute?

Author: Jennifer Low

Publisher: Routledge

ISBN: 131752800X

Category: Drama

Page: 210

View: 901

For literary scholars, plays are texts; for scenographers, plays are performances. Yet clearly a drama is both text and performance. Dramatic Spaces examines period-specific stage spaces in order to assess how design shaped the thematic and experiential dimensions of plays. This book highlights the stakes of the debate about spatiality and the role of the spectator in the auditorium – if audience members are co-creators of the drama, how do they contribute? The book investigates: Roman comedy and Shakespearean dramas in which the stage-space itself constituted the primary scenographic element and actors’ bodies shaped the playing space more than did sets or props the use of paid applauders in nineteenth-century Parisian theaters and how this practice reconfigured theatrical space transactions between stage designers and spectators, including work by László Moholy-Nagy, William Ritman, and Eiko Ishioka Dramatic Spaces aims to do for stage design what reader-response criticism has done for the literary text, with specific case studies on Coriolanus, The Comedy of Errors, Romeo and Juliet, Tales of Hoffman, M. Butterfly and Tiny Alice exploring the audience’s contribution to the construction of meaning.